This is the teacher guide for this lesson. A student-focused guide to assist learners as they perform the activity is available.
![Straw Trombone icon](/_ipx/w_1200,q_90/https%3A%2F%2Fcdn.sanity.io%2Fimages%2Fi2z87pbo%2Fproduction%2F29d895f0ff0d9a5a3006722380fca2f1be014add-300x200.webp%3Fauto%3Dformat%26fit%3Dmax%26w%3D1200%26q%3D90)
Straw Trombone
Experimenting with instruments and their sounds.
How does changing the length of an instrument change the pitch?
This resource was originally published in PhysicsQuest 2017: Sound.
How does changing the length of an instrument change the pitch?
- Smaller diameter straw
- 2x large diameter straw
- Ruler
- Scissors
Students build an instrument and experiment with the length. They collect data on the pitch of the sound their instrument makes and draw conclusions about the relationship between length and sound pitch.
- Total time45 - 60 Minutes
- Education levelGrades 5 - 9
- Content AreaSound
- Educational topicEnergy, sound waves
At its heart, sound is vibration. Pitch and volume depend on how fast and how large those vibrations are. When something vibrates, it vibrates the air (or water or whatever it’s in) around it at the same frequency. The vibrating air vibrates the air next to it and so on all the way till it hits your eardrum, which vibrates and your brain interprets that vibration as sound. The faster the vibration, the higher the pitch, the greater the amplitude, the louder the volume.
But how do musical instruments make different notes? Sound is a compression wave. This means it’s not a wave that goes up and down like a water wave, but a wave of compressions and rarefactions. During the compressions, the vibrating molecules are closer together and during the rarefactions they are farther apart. The movement of the molecules is in the same direction the wave is traveling, meaning it’s a longitudinal wave.
Water waves and light waves are called transverse waves because the motion of the particles is perpendicular to the direction the wave is traveling. When the students blow on the straws in this activity, they are making the air in the straws vibrate. When they do the activity they’ll learn that they have to blow quite hard. When they blow on the little “v” at the top of the tube, they are making the “v” vibrate which causes the air in the tube to vibrate at the same frequency.
But when they blow, they aren’t making it vibrate at any specific pitch — they are making it vibrate at a lot of different frequencies, meaning a lot of different pitches. They will naturally, without even realizing it, blow in different ways to make the straw vibrate differently until they hear a loud note.
This vibration (note) is called the resonant frequency of the tube. When the straw and air vibrate from the student’s air, the compression wave travels down the tube. When it hits the bottom, it is reflected back and then reflected back again when it hits the top. When reflected back and forth, the waves interact with each other. When the waves interact, sometimes they interact constructively, meaning they amplify each other, and sometimes they interact destructively, meaning they cancel each other out.
When waves are interfering in a tube there are specific frequencies that interact constructively and these are amplified by the constructive interference. These are called the resonant frequencies of the tube. The longer the tube, the lower the resonant frequencies. The shorter the tube, the higher the frequencies. When the length of the straw trombone is changed, the resonant frequencies of the tube change. Because the air is vibrating at a different frequency, your ear hears a different sound.
You can use this principle to make instruments out of all sorts of tubes. Try it next time you are drinking a bottle of soda. The less soda you have in the bottle, the longer the column of air and the lower the note. It also works well with PVC pipes of different lengths.
"Boomwhackers" are also quite fun. You can just bang them on a table to get the air vibrating and hear different notes with different lengths. The straw trombone is one of the most fun ways to explore this topic — though you might want to warn the teacher next door that you’ll be doing this activity.
These are the key terms that students should know by the END of the two lessons. They do not need to be front loaded. In fact, studies show that presenting key terms to students before the lesson may not be as effective as having students observe and witness the phenomenon the key terms illustrate beforehand and learn the formalized words afterwards. For this reason, we recommend allowing students to grapple with the experiments without knowing these words and then exposing them to the formalized definitions afterwards in the context of what they learned.
However, if these words are helpful for students on an IEP, ELL students, or anyone else that may need more support, please use at your discretion.
- Circuit: A circuit is a closed loop through which charges move.
- Current: Flow of positive charges. When a complete circuit is created with a battery, current flows.
- Resistance: Resistance slows current down. The more resistance something has, the less current flows through it.
- Rheostat: A rheostat is a circuit element that can change its resistance. Things like volume control knobs and light dimmer switches are examples of rheostats.
Students will experiment with sound so they can explain how instruments change pitch.
- Ask & Discuss
How does changing the length of an instrument change the pitch?
- Turn & talk protocol
- Pair students up
- Give them a minute to think quietly
- Give students 2 minutes to discuss their thinking
- Have students record their answers or share out to the whole group
- Take one of the white bendy straws
Take one of the white bendy straws and cut the top in a “v” with the pointy end at the top.
- Slide the black straw
Slide the black straw in the bottom of the bendy straw. It might be a bit hard to fit it in, but with a little help, it should.
- Slide the second white straw
Slide the second white straw on the bottom of the black straw.
- Made a straw trombone
You have now made a straw trombone.
- Make sure students
Make sure students are put into intentional groups. See above.
- Students will complete
Students will complete the experiment using the Student Guide where we have outlined the experiment for students and along the way, they record results and answer questions.
- In the student guide
In the student guide, they will answer questions that help them understand instruments.
- Continue to listen
Continue to listen in on each group’s discussion, answer as few questions as possible. Even if a group is off a little, they will have a chance to work out these stuck points later.
Suggested STEP UP Everyday Actions to incorporate into activity
- When pairing students, try to have male/female partners and invite female students to share their ideas first
- As you put students into groups, consider having female or minority students take the leadership role.
- Take note of female participation. If they seem to be taking direction and following along, elevate their voice by asking them a question about their experiment.
Consider using white boards so students have time to work through their ideas and brainstorms before saying them out loud.
As students experiment, roam around the room to listen in on discussion and notice experiment techniques. If needed, stop the class and call over to a certain group that has hit on an important concept.
Consider using the RIP protocol (Research, Instruct, Plan) for lab group visits and conferring.
Consider culturally responsive tools and strategies and/or open ended reflection questions to help push student thinking, evidence tracking, and connections to their lives. Look for *** below to find suggested places to add.
- Use the Claim-pass protocol
Use the Claim-pass protocol to have students share and refine their thinking.
- One person in each group writes a claim (can be provided by the teacher or not) at the top of a paper for the question: How does changing the length of an instrument change the pitch?
- The pencil in response to a recent observation of a phenomenon.
- The student who wrote passes the paper and the pencil to the left.
- The person with the paper writes one piece of evidence that supports the claim under the claim.
- The paper and pencil
The paper and pencil are passed to the left.
Real world connections -
- Based on what you learned, why do you think a piccolo sounds different? Listen Here What can you say about the length of the different resonant frequencies?
Suggestions for drawing, illustrating, presenting content in creative ways
- Try a cross-curricular study with Music using Boomwhakers
Engineering and design challenges connected to the content
- Now that students know about resonant frequencies and how they can be adjusted, have students try and design their own instrument using
Credits
Created by Rebecca Thompson, Ph.D. and Monica Gallagher
Updated in 2023 by Sierra Crandell, M.Ed. partially funded by Eucalyptus Foundation
Extension by Jenna Tempkin with Society of Physics Students (SPS)