This is the teacher guide for this lesson. A student-focused guide to assist learners as they perform the activity is available.
![Beat Frequency icon](/_ipx/w_1200,q_90/https%3A%2F%2Fcdn.sanity.io%2Fimages%2Fi2z87pbo%2Fproduction%2Fc66698509459bea5ab4a88a71ea47fa25313e356-300x200.webp%3Fauto%3Dformat%26fit%3Dmax%26w%3D1200%26q%3D90)
Beat Frequency
Experimenting with air and water to create pitch.
What do you hear when there are two sounds that have similar, but not identical, pitches?
This resource was originally published in PhysicsQuest 2017: Sound.
What do you hear when there are two sounds that have similar, but not identical, pitches?
- Two clear plastic tubes
- Two cups
- Water
Students will experiment to understand sound by using air and water to create different pitches and frequencies of vibrations. They will discuss what causes a sound and, more specifically, the essential question.
- Total time45 - 60 Minutes
- Education levelGrades 5 - 9
- Content AreaSound
- Educational topicEnergy, sound waves, vibration
In Activities 1 and 2, students explored the wave nature of sound. They looked at how sound is a wave and how the frequency and amplitude of that wave determine what our ears hear. In this activity, students will learn about what happens when those waves interact with each other. Though light waves are transverse waves and sound waves are longitudinal waves, the way they interact is very similar.
Like light waves, when sound waves run into each other they interact. As students learned in Activity 1, sound waves are compression waves — meaning they are made up of compressed material and relaxed material. If two waves hit each other, it will either be a relaxed part interacting with a compressed part or two compressed parts interacting with each other.
Just like with light waves, when two waves interact at the same point in the waves, the waves add together constructively and create a bigger wave. When compressions hit each other, the air (or whatever sound is traveling in) is compressed even more and relaxed even more. Because the amplitude of the wave is now bigger, your ear hears the sound as louder. The two sounds waves have interfered constructively.
If one sound wave is compressed when it hits the relaxed portion of the other wave, the two waves cancel each other out. They interfere destructively. Your ear doesn’t hear any sound at all. If you have two tuba players in two different chairs playing the same note and you are standing some distance away, you are going to hear one really loud tuba note. That’s because it’s very easy for waves of the same wavelength to interfere constructively. It’s easy to line up two waves that are the same wavelength.
But what would happen if the tubas were playing two different pitches? It wouldn’t be so easy to line up the two waves. It would be like trying to line up three-ring binder paper when one piece had holes just a little off from the other. It’s never going to work out quite right.
But what would we hear in a situation like this? If you were to take two waves of slightly different wavelengths and put them on top of each other, at some points they would line up so that you would have compressions on top of compressions, and at some points they wouldn’t. The waves are constructively interfering at some points and destructively interfering at other points. If you were to hear these waves, you would hear these types of interference as the note getting louder and softer; sometimes it’s amplified, sometimes it’s canceled out.
If one of the tuba players is a bit off key, you would hear the note but would hear it getting louder and softer. The frequency at which the note gets louder and softer is called the beat frequency. People that tune instruments such as pianos can listen for the beats to see if two notes are actually in tune.
In this experiment, students will use two tubes to create pitches and hear beat frequencies. They will put two identical tubes in two cups of water at different heights. Just like in Activity 1, the different length columns of air will cause the tubes to play slightly different notes when the air is vibrated by the students blowing across the top. Because the two notes are so close, students will be able to hear the resulting sound getting louder and softer.
These are the key terms that students should know by the END of the two lessons. They do not need to be front loaded. In fact, studies show that presenting key terms to students before the lesson may not be as effective as having students observe and witness the phenomenon the key terms illustrate beforehand and learn the formalized words afterwards. For this reason, we recommend allowing students to grapple with the experiments without knowing these words and then exposing them to the formalized definitions afterwards in the context of what they learned.
However, if these words are helpful for students on an IEP, ELL students, or anyone else that may need more support, please use at your discretion.
- Interference: When two waves hit each other, they interfere. Sometimes they add together, sometimes they cancel each other out.
- Constructive Interference: When waves line up peak to peak and trough to trough, they make a bigger wave. This is constructive interference.
- Destructive Interference: When waves are completely out of phase, peak to trough and trough to peak, they cancel out. This is destructive interference.
- Beat frequency: When two waves of similar length interfere, they create a resulting wave that varies in intensity. The frequency with which it varies is called the beat frequency.
Students will experiment with sound vibrations and pitch through water and air.
- Ask & Discuss
What causes a sound?
- Turn & talk protocol
- Pair students up
- Give them a minute to think quietly
- Give students 2 minutes to discuss their thinking
- Have students record their answers or share out to the whole group
- Fill each cup
Fill each cup with 1” of water.
- Place one plastic tube
Place one plastic tube in each cup of water. Make sure the tubes are flat against the bottom of the cups.
- Make sure students
Make sure students are put into intentional groups. See above.
- Students will complete
Students will complete the experiment using the Student Guide where we have outlined the experiment for students and along the way, they record results and answer questions.
- In the student guide
In the student guide, they will answer questions that help them understand sound.
- Continue to listen
Continue to listen in on each group’s discussion, answer as few questions as possible. Even if a group is off a little, they will have a chance to work out these stuck points later.
Suggested STEP UP Everyday Actions to incorporate into activity
- When pairing students, try to have male/female partners and invite female students to share their ideas first
- As you put students into groups, consider having female or minority students take the leadership role.
- Take note of female participation. If they seem to be taking direction and following along, elevate their voice by asking them a question about their experiment.
Consider using white boards so students have time to work through their ideas and brainstorms before saying them out loud.
As students experiment, roam around the room to listen in on discussion and notice experiment techniques. If needed, stop the class and call over to a certain group that has hit on an important concept.
Consider using the RIP protocol (Research, Instruct, Plan) for lab group visits and conferring.
Consider culturally responsive tools and strategies and/or open ended reflection questions to help push student thinking, evidence tracking, and connections to their lives. Look for *** below to find suggested places to add.
- Discussion Diamond protocol
Discussion Diamond protocol to have students share and refine their thinking.
- The teacher poses a question (Why do you think you heard a third pitch when you “played” two similar, but not the same, pitches using two tubes of close, but not identical, lengths?) that students can answer with data.
- All students get three minutes to think and write their thoughts in their respective corners.
- The students take turns explaining their ideas to each other (all students must share).
- The students discuss what their consensus view might be and write their consensus view in the middle.
- After students
After students have had a chance to discuss key ideas from the lesson and complete their student guides, you can now clarify and give concise definitions to the forces they experimented with.
Real world connections -
- Based on what you learned, why do people use earplugs to block out loud sounds?
- When musicians play instruments, they play different notes by adding or lifting fingers to the keypads. Using what was discussed in this activity, why does this change the note?
Suggestions for drawing, illustrating, presenting content in creative ways
- Have students explore different models of visualizing sound waves
Engineering and design challenges connected to the content
- Have students try and soundproof an area of the classroom using materials that could absorb sound waves.
Credits
Created by Rebecca Thompson, Ph.D. and Monica Gallagher
Updated in 2023 by Sierra Crandell, M.Ed. partially funded by Eucalyptus Foundation
Extension by Jenna Tempkin with Society of Physics Students (SPS)